Singularity Project Jan 14 2013
For our first rehearsal on this new project—Singularity—I
started off by sitting down with a group of dancers from Webster University to discuss the concepts for the
piece and the processes I intend to use for this exploration. Singularity—as I
am using it—has two meanings.
Principles/Hypothesis/Intention
First, singularity is used to mean an once-in-a-lifetime
occurrence. In this sense, it is the idea of any performance being unique and
unrepeatable. Drawing from theories of relativity, I want to explore this
concept where the audience members actually impact the unfolding of the dance—like
Schrodinger’s Cat. My intention is to explore, through the use of interactive
digital media, the audience’s participation and impact upon a live performance.
The second use of singularity is the idea from Ray Kurzweil
that biology and technology will merge at a point in the near future. Now, I am
not as much as a futurist as he, but this does lead me to think about the dichotomy
between what we tend to deem as natural versus unnatural—the organic versus the
mechanic. And, if technology is indeed a natural extension for humankind (an
outgrowth of our rational, tool-using minds), then isn’t technology organic
too? Is the split between the way we look at biology and technology a fallacy?
Movement Research
In the first rehearsal, I gave the dancers task-based
instructions for improvisation. Drawing from Developmental Movement Patterns, the
dancers explored ideas of breath connectivity in a group, in pairs/trios, and
in solos. They also explored Core-Distal connectivity and Homologous
(Upper/Lower) connectivity in the same combinations: group, pairs/trios, and
solos.
A Glimpse at Early Raw Data
The video clip attached includes some footage of those first
explorations.
As a dancer a part of this endeavor, it was very enjoyable to use improvisation as a start off point. It made it easier to connect more with the other dancers and get to know how one another likes to move in their own individual ways. I am excited to continue this process and see where the piece ends up, it has a very promising start with the choreographer's choices and dancers at hand.
ReplyDeleteThis first rehearsal was very exciting. After getting centered, everyone seemed ready to jump in to wherever James was going to lead us. In the past I have been very hesitant to dive head first at a contact improvisation exploration (literally), but this group of dancers in particular felt like they were open and willing to share any and every connection made. It was an extremely comforting and productive way to feel this piece from its roots and its view on the versatility of "singularity".
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