Here is another round of movement culled from our original explorations. This batch of movement includes more silly and idiosyncratic bits as well as some athletic partner work.
For our first rehearsal on this new project—Singularity—I started off by sitting down with a group of dancers from Webster University to discuss the concepts for the piece and the processes I intend to use for this exploration. Singularity—as I am using it—has two meanings. Principles/Hypothesis/Intention First, singularity is used to mean an once-in-a-lifetime occurrence. In this sense, it is the idea of any performance being unique and unrepeatable. Drawing from theories of relativity, I want to explore this concept where the audience members actually impact the unfolding of the dance—like Schrodinger’s Cat . My intention is to explore, through the use of interactive digital media, the audience’s participation and impact upon a live performance. The second use of singularity is the idea from Ray Kurzweil that biology and technology will merge at a point in the near future. Now, I am not as much as a futurist as he, but this does lead me to think abou
Day Two of the Teacher Training Workshop was even better than Day One . While being much more sore than I was after the first day, I am also much more inspired and excited about working and sharing with these teaching-artists. We are an extremely varied group and that makes for such a dynamic and interesting mix. Tomorrow is our last day and I am looking forward to it but know I will miss the discussions, laughter and camaraderie when it is over.
We are two weeks into rehearsals now and some intriguing movement vocabulary is developing. I had reviewed the videos from prior rehearsals and chose the movements, concepts, and moments that peaked my curiosity. I presented those concepts to the dancers for another round of movement explorations, asking them to focus on these scraps and bits of movement to see where it would lead them. Each of the experiments for this last rehearsal derived from the results of the prior rehearsals. Currently, the dancers and I seem interested in the vocabulary developing that comes from interdependent, organic momentum where the dancers move into and through the floor in fluid movement patterns that could only be found in the space of ability between two or more dancers. The video captures some of these raw moments. Please, if you feel so inclined, take a moment and share your thoughts. And, Kam - since your comments indicated you liked Kat's foot dance - the opening and closing are from an
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