We are in the fourth week of rehearsals for the Singularity Project now and we have begun forming phrases from the vocabulary of movement the dancers discovered. In the first week and a half, I gave the dancers group, solo, and duet improvisational tasks. I recorded the improvisational studies and plucked from them the movement ideas that piqued my curiosity. Using the movement ideas, I again asked the dancers to improvise with a partner through the third week of rehearsals. From the recordings of these explorations, I chose to arrange certain phrases into sequences with small transitions to connect them. The five phrases on the video are still rough, but they developed directly from the dancers explorations. Had these explorations occurred with a different set of dancers, in a different time, or with different cues, the phrases would be entirely unique. I am particularly interested in the singularity of these phrases...that they are unique to this group - at this time - and no
For our first rehearsal on this new project—Singularity—I started off by sitting down with a group of dancers from Webster University to discuss the concepts for the piece and the processes I intend to use for this exploration. Singularity—as I am using it—has two meanings. Principles/Hypothesis/Intention First, singularity is used to mean an once-in-a-lifetime occurrence. In this sense, it is the idea of any performance being unique and unrepeatable. Drawing from theories of relativity, I want to explore this concept where the audience members actually impact the unfolding of the dance—like Schrodinger’s Cat . My intention is to explore, through the use of interactive digital media, the audience’s participation and impact upon a live performance. The second use of singularity is the idea from Ray Kurzweil that biology and technology will merge at a point in the near future. Now, I am not as much as a futurist as he, but this does lead me to think abou
We are two weeks into rehearsals now and some intriguing movement vocabulary is developing. I had reviewed the videos from prior rehearsals and chose the movements, concepts, and moments that peaked my curiosity. I presented those concepts to the dancers for another round of movement explorations, asking them to focus on these scraps and bits of movement to see where it would lead them. Each of the experiments for this last rehearsal derived from the results of the prior rehearsals. Currently, the dancers and I seem interested in the vocabulary developing that comes from interdependent, organic momentum where the dancers move into and through the floor in fluid movement patterns that could only be found in the space of ability between two or more dancers. The video captures some of these raw moments. Please, if you feel so inclined, take a moment and share your thoughts. And, Kam - since your comments indicated you liked Kat's foot dance - the opening and closing are from an
Comments
Post a Comment